![]() They declared their strike over, and sent writers back to work, on Sept. WGA leaders touted their deal as achieving most of what they had sought when they went on strike nearly five months earlier. Members of the Writers Guild of America voted almost unanimously to ratify their new contract on Monday. A month before the successful talks, the initial attempt to restart ended after just a few days. The writers did have their own false start in negotiations, however. Actors and studios had taken several days off after resuming, and there were no reports of meaningful progress despite direct involvement from the heads of studios including Disney and Netflix as there had been in the writers strike. “It’s important for us to be out here every single day and show them that we’re not backing down.”įrom the start, the actors talks had nothing like the momentum that spurred marathon night-and-weekend sessions in the writers strike and brought that work stoppage to an end. “There’s a little bit of anger, there’s a little bit of frustration, but there’s a lot of hope coming out here at the picket line,” actor Romel De Silva, a member since 2012, said Thursday outside Paramount Studios. Individuals on the picket lines still remained hopeful that they will win and reach a future agreement with the AMPTP. “Our negotiators are not just settling for less.” “We’re all sticking together,” said Cisco Reyes, a member since 1999, outside Netflix. ![]() They were joined by Crabtree-Ireland and other SAG-AFTRA negotiating committee members who shared words of encouragement and resilience with their fellow union members. “We have negotiated with them in good faith,” the letter read, “despite the fact that last week they presented an offer that was, shockingly, worth less than they proposed before the strike began.”Īctors and writers showed up to picket outside of the Netflix offices on Thursday. The union said its negotiators were “profoundly disappointed” the studios had broken off talks. We took it out of revenue share completely at their insistence.” We made dramatic changes to what used to be our streaming revenue share proposal. “We gave them a full set of counterproposals yesterday. We were very happy they were there because here are ultimate decision-makers who have the power to say yes,” Crabtree-Ireland said. “We went into those rooms with our own open mind and a goal of establishing a dialogue with those CEOs. In a letter to members sent early Thursday, SAG-AFTRA said that figure was overestimated by 60%. ![]() The SAG-AFTRA proposal would cost companies an additional $800 million a year and create “an untenable economic burden,” the statement said.
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